Cover story · Google, 2019

Who isturning onGoogle?

One post in France, 13.6 million potential impressions, 400 inboxes in 30 minutes. A data story about the alert that warned Google, told by the director who designed it.

Read the cover storySeven data stories inside

Cover story

Thirty minutes to know who was turning on Google.

Story and animation by Javier Alcívar · then core product design and product UX lead, 2018–2021

How the cover was made

Every mark is a count from the Google case deck. The 278 dots are the posts in Europe in the first 48 hours, 91% from the press (slide 36). They start in the shape of France, where the open letter was published, then spread and settle into rings; they are arranged for reading, not by location or time. The ten squares are the key opinion formers the alert named.

The needle is the 13.6 million potential impressions on the alert's own scale: low under 3M, medium 3M to 10M, high over 10M (slide 31). The yardstick crises are measured on their first 24 hours, the open letter on 48, so the windows differ.

The six checks are the Newsroom's editorial review (slide 26). The 400 small alert cards, a red banner and three lines each, are the stakeholders in about 20 countries reached inside 30 minutes (slide 23); the files do not say which countries, so there is no map.

At 1:00 PM GMT on 22 October 2019, an open letter in France over the EU Copyright Directive started to move against Google. In 48 hours the system logged 278 posts in Europe with 13.6 million potential impressions, and nine in ten of them came from the press.

The alert named the politicians and journalists driving the story and showed how each one felt about Google. A person in the Newsroom checked it against six questions before anyone was told. Every alert reached 400 stakeholders in about 20 countries inside a 30-minute window.

I designed that alert: its three levels, the yardstick of past crises, and the six questions the Newsroom answers.

Read the feature →

Seven data stories

Each case opens as an animated data story: the metaphor first, then the numbers, every one from the case files. Then a feature you can finish in a few minutes, and the files with every slide and source.

  1. 04Google and Waymo · 2018–2021

    Eighteen reports a year was the ceiling

    The story is a ceiling that breaks. Nobody asked for a fix; I built BloQ in under three weeks, and production went to 200 a year, self-reported.

    How this was made

    Each square is one report a year: 18 before BloQ, 200 after. Each figure is one designer on the dataviz team. The red sliver is 2% of its bar, and the two retainer bars are drawn to scale, $400K against $5M.

    All of these come from slide 59 of my own portfolio deck, so they are self-reported. The colour blocks in each square are BloQ's Mondrian language, not the reports' content.

    The featureThe files
  2. 02Consumer Edge · 2023–2024

    Cutting the time to insight

    Three weeks, or one screen. Answers used to wait 2 to 3 weeks for a boutique data firm's handmade booleans and dashboards, self-reported. Now one screen answers, through three lenses: Competitors, Cross Shop and Retention.

    How this was made

    Each square is one day: 14 solid for two weeks, 7 hatched for up to three. The 2 to 3 week wait for a boutique data firm's handmade booleans and dashboards is my own account, self-reported. The dashboard that comes back is a symbol, not a capture.

    The three screens are Vision 2.0's Competitors, Cross Shop and Retention, redrawn in vector from the Design Showcase, slides 24 to 31. Their brands are fictional and their figures illustrative, as on the case page.

    The featureThe files
  3. 06Audience networks · 2019, rebuilt 2026

    The home crowd came third

    Two audience maps from 2019, a Bundesliga club’s and a Formula 1 world champion’s: 10,856 accounts and 306,501 links, drawn to show who a brand is really talking to. In 2026 I recovered both and rebuilt the map as a live explorer.

    How this was made

    Each dot is one account in the club’s 2019 map, at its own position from the recovered Gephi export; nothing is sampled. The columns stack the same dots by the country group the map gives them. Each line is one of the 6,395 links between the UK and Spain groups.

    The club and the champion are not named. Every count is as in the files, recovered from Maven Road’s archive in October 2026.

    The featureThe explorer: on request
  4. 07Clikiti Research · 2026

    Seventy-seven out of a hundred, and still no price

    Twenty open-data reports on 3,210 small-business websites, each in its industry’s own look. On the score the sites look fine; on what a customer asks first, what it costs, most stay silent.

    How this was made

    Each dot is one website in the 20 reports (index.json, October 2026). Each industry sits at its own median score. A lit dot is a site that answers that industry’s price question: its share of the sample, rounded, from each report’s data.json. The insurance report asked no price question.

    The questions are read from each home page and the pages it links to; a check passes only when the scan finds it.

    The featureThe reports ↗
  5. 03Google Maps · 2019

    Ten analysts a week, or one screen a day

    The weekly ritual: ten analysts filling a sheet by hand every week, then one screen, refreshed daily.

    How this was made

    Each row is one of the ten analysts who gathered each country's data every week (deck slide 48). Each bar is one quarter, Q1 2017 to Q2 2019, read from the dashboard captures on slides 41 to 48: Twitter total impressions and Instagram average impressions per post, each panel on its own scale.

    The Q4 2017 changes are the ones the capture prints, +296.1% and +111.5%. The 25% to 45% engagement lift comes from slide 48 and was not measured by Google, so it is self-reported.

    The featureThe files
  6. 05Clikiti · 2026

    Send the website, not the proposal

    Old site in, new site out: a crew of five agents audits a site, redesigns it and writes the pitch.

    How this was made

    Each square is one page of Local Friend Tour's site: 41 mapped, 39 with a Spanish twin. The times, the score of 61 of 100 and the checks before going live follow the Clikiti film's Local Friend Tour story (components/home-v3/line/story.ts).

    The old site's page in the film is staged; the new site is live at localfriendtour.com. The cats are Clikiti's crew: Whiskers scouts, Shadow checks, Tiger designs, Paws writes and Sphinx decides.

    The featureThe files
  7. 01Google · 2018–2021

    Thirty minutes to know who was turning on Google

    An earthquake on the cover: one post, a ripple through the people who shape opinion, and an editor on every alert.

    The featureThe files

From the editor

Why every case opens with a picture, not a screenshot.

I direct data stories. I look for the metaphor hiding in the numbers, an earthquake, a ceiling, a lens, and then design the system that keeps telling it: alerts for executives, reports for analysts, dashboards for brand teams, agents for small businesses. A screenshot shows what a product looks like. A story shows what it changed.

So this issue reads like a magazine. Watch the story. Stay for a feature. Open the files when you want the proof; every number in the animations comes from them.

I started at Nodel in Guayaquil in 2018 as a data and UX artist, ran its data visualisation team of eight, led experience design for Thoughtworks and UX for Globant, and in 2026 founded Clikiti.

Work used by C-level teams at Google · Waymo · YouTube · Salesforce · Ford · IBM · British American Tobacco · A Place For Mom · ASCO.org

Javier Alcívar

Write to the editor on LinkedIn ↗